BroadwayOSC

BroadwayOSC exposes every mixing console parameter — faders, mutes, pans, EQ, compressor, gate, HPF, LPF, delay, routing sends, DCA assignments, scene control — as standard OSC messages on UDP port 8765. Version T handles the console's native wire protocol underneath, so the same OSC client controls an Allen & Heath dLive, a Behringer X32, or anything else on the supported list, identically.

A single unified address tree — /ChannelType/index/Parameter — covers every channel type and every processing section. Send /Input/1/Level ,f -6.0 to set the fader to −6 dB. Send the address with no arguments and you get the current value back, plus you're auto-subscribed for future changes.

Superset of OSC 1.0

BroadwayOSC is fully backward compatible with OSC 1.0 for scalar messages, and adds:

• Index ranges and sets — /Input/1-32/Level or /Input/1,4,7/Mute address many channels in a single message.
• Wildcards — /Input/*/Mute resolves to every input as reported by the live console topology.
• Values in engineering units — dB for levels (fader is −∞ to +10.0), Hz for frequencies, ms for times, ratios as ratios (4.0 = 4:1), pan −100 (left) to +100 (right). No lookup tables, no wondering which console maps 0.567 to which frequency — Version T converts to and from each console's wire format internally.
• Auto-subscribing GETs — a bare GET registers the client for ongoing pushes when the console changes. Explicit /Subscribe/ and /Unsubscribe/ prefixes also supported.
• Additional type tags — boolean T/F, impulse I for actions like /Cues/1/Go, and RGB R for channel colours.

Coverage

Over 50,000 parameters across all supported consoles — every fader, mute, EQ, compressor, gate, routing send, DCA, and scene control on a full-size system.